|Meadham Kirchhoff Fall 2012 Ready-To-Wear Collection|
Meadham Kirchhoff Fall 2012 Ready-To-Wear Collection
How did this happen? Once upon a time, Ed Meadham and Ben Kirchhoff were the angry young men of English fashion. They used their
runway as a stage for expressing feminist rage, romantic torpor, alienation. Now they're hosting an interplanetary disco. What?
stance, a way of telling all the depressed, enraged, alienated misfits out there to screw the world and come join the party. There's no
revenge sweeter than turning a frown upside down. After today's show, Kirchhoff described the new collection as being inspired by the
club he wants to go to, if only it existed; he and Meadham used their slot on the fashion calendar not only to illustrate that fantasy but
to enact it. There were colored lights on the runway, models throwing glitter in the air, and an audience of Meadham Kirchhoff cultists
jamming along in the seats. It would have been fitting if the show had concluded with a spontaneous dance-off.
bustiers, and the showstopping, paradigm-shifting multicolored furs. The furs worked almost like an intarsia knit, with cartoon insignia
made by piecing together various cuts of dyed fur. Yet the most impressive thing about this collection may have been its deep bench
of accessible pieces, like the denim with cartoon appliqués, or the silvery brocade tailoring, or the nubby graphic sweaters, or the
trousers in a yellow and black lumberjack check. There seemed to be a rationale beyond the commercial in these pieces; namely,
Meadham and Kirchhoff are extending a hand to all the people for whom a dress made out of tinsel, say, is a bit de trop. It's their
party, and seriously, everyone's invited.
Texts by Style.com
Posted by Jazz Age on 2013.04.04 at 11:14 PM in MEADHAM KIRCHHOFF
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